The Complicator Vol. 8 – Phonography – Exact Replicas?

Greetings!

Another excellent set of comments from last week’s post. Thanks to everyone for such thoughtful and stimulating notions…. We’ll definitely get back to lyrics sometime soon.

I’ve been reading Andy Summers‘ autobiography entitled One Train Later (which I love by the way), and hearing those early Police tracks again has brought up that mysterious question of what it is about certain tracks that makes them simply work.

What is the magic?

Why is it that a virtually exact replica of, say, Can’t Stand Losing You,” wouldn’t be as good as the original? That song in particular is maybe not a masterpiece, but it’s full of raw power and intensity which seems like it couldn’t be repeated or imitated.

Anyone care to take a shot at explaining what’s happening there and with other irrestistable hit songs?

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cheers,
mz

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