Not sure how I missed this, but wow – thanks to Hinged Journal of Converging Arts for this review, which is not only very thoughtful and insightful, but which, in a dynamic that no longer comes as a surprise, is a much better music review than any of the actual music critics have written.
“… a remarkable converging arts conversation piece. The friction between these two forms throws into relief the stark limitations we assign to poems and songs individually.”
“In the poem-songs, instead of a title the listener receives first a pitch and pattern of sounds composed of instruments and vocals that accompany the words of the poem. This composition colors the words a particular and limited spectrum of emotions. “Opera” as a song does not speak its own title, but instead begins with high piano key chimes that quickly shift into a minor-scale of uncertain and ponderous notes as the voice joins. An unmistakable element of loneliness exists in the spectrum of minor notes and the slow drop of each note.”
Thank you HINGED!